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Bloom's How to Write about F. Scott Fitzgerald. Bloom's How to Write about Geoffrey Chaucer. Bloom's How to Write about George Orwell. Bloom's How to Write about Harper Lee.
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- Bloom's How to Write About William Faulkner.
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Bloom's How to Write about Herman Melville. Bloom's How to Write about Homer. Bloom's How to Write about J.
Bloom's How to Write about James Joyce. Bloom's How to Write about Jane Austen. Bloom's How to Write about John Steinbeck. Bloom's How to Write about Joseph Conrad. Bloom's How to Write about Kurt Vonnegut.
Bloom's How to Write about Langston Hughes. Bloom's How to Write about Mark Twain. Bloom's How to Write about Mary Shelley. Bloom's How to Write about Maya Angelou. Bloom's How to Write about Nathaniel Hawthorne.
When Women’s Literary Tastes Are Deemed Less Worthy
Bloom's How to Write about Oscar Wilde. Bloom's How to Write about Robert Frost. Bloom's How to Write about Shakespeare's Comedies. Bloom's How to Write about Shakespeare's Histories.
Bloom's How to Write about Shakespeare's Romances. Bloom's How to Write about Shakespeare's Tragedies. Bloom's How to Write about Stephen Crane. Bloom's How to Write about Sylvia Plath. The arch anti-Romantic Eliot despised Blake and Shelley, whom he considered sloppy writers and thinkers, along with Emerson and D. For Eliot, Romanticism meant trusting instinct rather than intellect. Bloom loved the Romantics, and he demonstrated that they were full of insight and precise thought. He won that battle: today the canonical American writers are the ones that Bloom championed, from Emerson to Elizabeth Bishop.
Can you tell us something about what you were trying to accomplish in making your selections for The American Canon? Mikics: Bloom wanted to show that Emersonian Romanticism makes up the mainstream of the American canon. A trust in imaginative self-renewal, inherited from Emerson, inspires writers as different as Whitman and Zora Neale Hurston. But Bloom knew there is a darker side to American self-reliance, best described by D.
Infobase Publishing - Bloom's How to Write about William Faulkner
It has never yet melted. Harold brought into dialogue these two sides, light and dark, of American individualism.
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Many of these pieces are hard to find, and they deserve to be brought together into one book. But one of my personal favorites is the chapter on West. Bloom shows how, for Baldwin, the racial trauma at the core of American life intersects with Biblical anxiety of influence. Here as elsewhere, Harold was multifaceted about the meaning of America, its promise as well as its burden. Kulka: That seems like the right place to conclude, David.
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Related Blooms How to Write About William Faulkner (Blooms How to Write about Literature)
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